 | 30 avril 1998 - 13 septembre 1998
| Exposition. The Later MORANDI: Still Lifes 1950 - 1964 http://www.guggenheim.org/venice/exhibitions/199804_moran_fst.html This exhibition of Giorgio Morandi's still life paintings executed between 1950 and 1964 radically revises our
understanding and perception of Morandi's late work. The careful selection of more than forty paintings from 1950
onwards reveals Morandi's almost obsessive repetition of the same subject matter, with variations only in tone,
composition and viewpoint.

 | septembre 1998 - février 1999
| Exposition. Three Collectors: Solomon R.Guggenheim, Peggy Guggenheim and Gianni Mattioli http://www.guggenheim.org/venice/exhibitions/199809_three_fst.html A new installation dedicated to 'Three Collectors'. From September 1998 to early February 1999, Palazzo Venier dei
Leoni, Peggy Guggenheim's former home on the Grand Canal of Venice, will host paintings and sculptures from Peggy
Guggenheim's founding collection combined with paintings from the collections of two other great 20th century collectors,
Gianni Mattioli and Solomon Guggenheim.

 | 05 septembre 1998 - 24 septembre 1998
| Exposition. Tribute to Conrad MARCA-RELLI http://www.guggenheim.org/venice/exhibitions/199809_relli_fst.html One of the most important exponents of American Abstract Expressionism, Marca-Relli characterizes an artist free of
constraints, a kind of 'nomad' of post-war painting. The exhibition showcases two recently donated works shown in the
context of 15 carefully selected paintings, which capture the progress of Marca-Relli's style from 1953 to 1989, in order
to offer for the first time to the European public a summary but significant exhibition of this important artist.

 | 29 septembre 1998 - 12 janvier 1999
| Exposition. Peggy GUGGENHEIM: A Centennial Celebration http://www.guggenheim.org/venice/exhibitions/199806_peggy_fst.html The exhibition traces the story of the Peggy Guggenheim's extraordinary life on the occasion of the one hundredth anniversary of her birth, from her
childhood in her native New York to her artistic activities in Europe and the United States and finally to her later years in Venice, where she created a
museum-home in the Palazzo Venier dei Leoni for her outstanding collection of Modern art.

| | | |